Moving
to a new house is a recurring theme in my dreams. The dream is always set in
Pennsylvania, and the house I’m moving from (my house) always ends up being Mom
and Dad’s house.
In
this dream at varying points I was my adult self, my seventeen year old self, and
my twelve year old self.
The
only odd thing in the dream was that in the old house we were leaving behind a
lot of stuff I thought we should be taking. The attic was full of stuff, mostly
toys. I thought if we were selling the house to a family it would be nice to
leave the toys for them, but we were selling the house to a baseball association. I found some of Grandma's afghans in the
attic as well. I wanted to at least keep an all-white one, but had trouble
getting to it because I spotted a huge black widow spider. Grandma was there in
the attic with me.
The
thing that vexed me the most was that we hadn’t taken any of the dressers. I
complained to Mom that I wouldn’t have anywhere to put my clothes in the new
house. She suggested a cardboard box, but I was complaining how ridiculous that
seemed when we had all of these dressers. Jamie had a gorgeous, tall antique
chest of drawers. She was talking about how perhaps she could get $150 for it
if she sold it. I thought it would make a perfect dresser for me if only I
could convince everyone else to move the dressers to the new house.
The
dressers obviously symbolize something. Mom and Dad’s house (my childhood home)
has always symbolized my Self, and these moving dreams always seem to be about
moving into a newer Self, in this case also a more expansive self. Dressers contain our clothes, which we use to
don different forms of self-expression. But it wasn’t that I’d be without
clothes, it was that I’d be without a container to hold them. And a cardboard
box wasn’t good enough. I wanted something beautiful, with character and the
patina of age, like Jamie’s dresser. Even my dresser (from childhood) is
probably, technically, an antique now. Any
dresser would’ve been better than a cardboard box.
I
was arguing vehemently that we need to have beautiful containers to house our
self-expression, our various forms of self expression--but what does that
really mean? If I move into a more expansive Self, I still want a beautiful
container to house my various forms of self-expression. Each form of
self-expression I don, each persona, is not me in my totality. All of those
various expressions, together, should be a thing of beauty. But even all of
those are not all of me. The whole house represents the whole Self. The dresser
only represents the various aspects of self which manifest discretely.
The
toys in the attic--they represent playful spontaneity. I wanted them to go to
children who would fully engage with them—not to a baseball association—where play has become rigid and overly
formalized.
And
Grandma’s afghans….as far as I know, she never did crochet an all-white one.
The color white contains all other colors, but is an absence of color as well.
What does the afghan represent? It represents my connection to Grandma of
course—to memories of my personal past, what’s gone before. It’s an item of
warmth and comfort; it represents love. The purity of love. And how love contains
everything. The afghan is made up of both matter and empty space—yarn endlessly
looping back upon itself and interconnecting with other parts of itself. The
form of it is created by the intersection of matter and emptiness. (Earth and
sky?)
Back
to the symbolism of the dresser. The dresser I was most drawn to was tall, wide,
but narrow from front to back. In proportion and styling it reminded me of a Shaker
piece—simple, and elegantly understated.
But the finish on it was not Shaker—it was very rich, had beautiful
depth, perhaps it was a wax finish which had been painstakingly built up over many
years of attention. This seems to represent myself as I’m currently
manifesting—in this context of voluntary simplicity.
Another
interesting thing was Mom’s cardboard box comment. It was implied that the
cardboard box would be one left over from the move. So I would’ve been
basically living out of a box, as if the move were only temporary. But it
wasn’t meant to be a temporary move. There seems to be symbolism there about
living outside of the box too. A cardboard box is ugly—that was a big part of
my objection to it. I wanted to live in a beautiful space.
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